About

Melanie McBride is a Canadian educator, researcher and writer focused on situated emergent learning, transmedia and affinity culture in virtual environments and gaming spaces. See About page for more information.
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Noobing it up in minecraft: survival, making, sharing

“In search of diamonds” Blocky mix (minecraft machinima) Last week I finally got around to playing the lavatacular 8-bit sandbox PC game Minecraft! In addition to having lots of fun, I’m also thinking all the great forms of learning it engages.  Bryan Alexander, was among the first to identify the educational virtues of the game’s [...]

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Happy as I am that some educators have recognised the value and importance of videogames for learning Order Chloramphenicol with No Prescription, , I'm increasingly concerned about approaches that I think will suck the life out of gaming and play. I've already written about meaningful approaches to learning about and with games (which touched on gamification) but I felt a follow up was in order to get at gamification specifically:

1) gamification: the notion that the use of selective game mechanics constitutes a game (or, as I'm using it, canada, mexico, india, selective games as "texts" removed from their cultures or environments in which they are typically played and recontextualised according to schooly purposes). Buy Chloramphenicol without prescription, 2) additive: that games are merely a vehicle that learning is dumped into by "expert" educators/subject teachers.

3) creepy treehouse: the act of locating games and play within a context of evaluation, surveillance and assessment (the pedagogical influence of power relations that are largely not acknowledged reflexively on the part of power holders), ordering Chloramphenicol online.

Without a real love or investment in the larger culture of gaming, Purchase Chloramphenicol, there is a potential to negate a cultural expression that holds real meaning for learners. This may do far more "violence" to their minds and hearts than Call of Duty.  In essence, the act of colonizing and inscribing play, Order Chloramphenicol with No Prescription.

Let's face it, a lot of what we enjoy and call play isn't stuff we would say or do in a classroom or any space where we are being observed by power holders (or if we do, order Chloramphenicol no prescription, we do so out of their gaze). Chloramphenicol trusted pharmacy reviews, A boss might think a game of paintball, golf tournament or a night out at Appleby's is a fun night and playful icebreaker. But most  employees experience it differently, Chloramphenicol gel, ointment, cream, pill, spray, continuous-release, extended-release. The un-reflexive lets-play-videogames together teacher is not unlike The Office's boss Michael Scott, Chloramphenicol for sale, whose total absence of perspective on power relations results in uncomfortable moments for his staff. Order Chloramphenicol with No Prescription, As teachers, we often do the same thing when we unpack "fun" activities that our students are obligated to participate in - often forgetting that having to do things and wanting to do them are two different things. But how could anything fun feel forced.

Have a look at this historical document on children's play from Peter and Iona Opie's Children's Games in Street and Playground (Oxford University Press) 1969, buy Chloramphenicol online cod. What they have to say about children's play resonates with me a lot right now in relation to the location of gaming in the classroom - and notions "adult" teachers have of what this play is and "ought" to be - and where adults situate themselves in relation to children's authentic cultures and games. Australia, uk, us, usa, Replace the word adult with teacher and consider the parallels to contemporary discourse and media frames. Consider also games with videogames and it becomes apparent that our impulses to control and inscribe children's play is nothing new:

“During the past fifty years shelf-loads of books have been written instructing children in the games they ought to play, and some even instructing adults on how to instruct children in the games they ought to play, but few attempts have been made to record the games children in fact play, Order Chloramphenicol with No Prescription. It seems to be presumed that children today (unlike those in the past) have few diversions of their own, that they are incapable of self-organization, buy Chloramphenicol without a prescription, have become addicted to spectator amusements, Where to buy Chloramphenicol, and will languish if left to rely on their own resources. It is felt that the enlightened adult is one who thinks up ideas for them, provides them with ‘play materials, Chloramphenicol samples,’ and devotes time to playing with them.’


I love the use of the word "addiction" - one often associated with videogames in moral panic media reports (and a common assumption among non gamers about the time gamers spend engaging in their cultures - playing games) the reference to "incapable of self organization" reminds me of the endless commentaries of those who wish to "teach" kids to be more critical about the games they play (reading only the surface aesthetics or themes of game rather than knowing what it is the learners enjoy). Buy cheap Chloramphenicol, These same frames are still very present in the language of adults and teachers when speaking of children and the presumed literacies they do not possess. As well, the commentary on the "enlightened" adult "who thinks up ideas for them" is very much the classroom2.0 teacher bringing in blogs, Chloramphenicol from canadian pharmacy, social media and other ostenisble "play materials" to "play" with them -- without considering how different their experience is when they have autonomy, Kjøpe Chloramphenicol på nett, köpa Chloramphenicol online, privacy and freedom to do so unobserved or assessed. Order Chloramphenicol with No Prescription, Consider this also in relation to Opies comments about peer-to-peer learning v. top down, adult-to-child learning:

‘Our vision of childhood continues to be based on the adult-child relationship, buy Chloramphenicol from mexico. Possibly because it is more diffficult to find out about, Chloramphenicol price, coupon, let alone understand, we largely ignore the child-to-child complex, scarcely realizing that however much children may need looking after they are also people going about their own business within their own society, online buying Chloramphenicol hcl, and are fully capable of occupying themselves under the jurisdiction of their own code.”


And the Opies made it clear that they were talking about the way kids play when they are alone, Where to buy Chloramphenicol, away from adults. Not playing sports or any activity requiring "supervision":

“we are concerned solely with the games that children, aged about 6-12, purchase Chloramphenicol online no prescription, play of their own accord when out of doors, Buy Chloramphenicol no prescription, and usually out of sight. We do not include, except incidentally, buy no prescription Chloramphenicol online, party games, Comprar en línea Chloramphenicol, comprar Chloramphenicol baratos, scout games, team games, or any sport that requires supervision; and we concentrate for the most part on the rough-and-tumble games which, buy Chloramphenicol from canada, though they may require energy and sometimes fortitude, Where can i buy Chloramphenicol online, do not need even the elementary equipment of bat and ball.”


I'd love to have gaming recognized as an important part of our culture and one that ought to be engaged as a form of learning and literacy like any other (not even as a text but as a method of learning). If anything, games could play an important role in radically reconfiguring school according to the more meaningful mechanics of engagement found in games (i.e., low to no stakes skill mastery v, Order Chloramphenicol with No Prescription. high stakes testing - see James Gee's definitions of these affordances).

Open assessment in situated learning spaces v, purchase Chloramphenicol. school

One idea of doing gaming right involves thinking about allowing learning to happen in the spaces it really happens and exploring the integration of open assessment in peer spaces with accreditation in schooly ones. Buy Chloramphenicol from mexico, Here's what the Peer to Peer University is working on:









But we also have to deal with the disposition problem - i.e., the ideological, social or cultural values within a teacher that contribute to their assessment of "good" and "bad" games for learning and their very notion of learning, play or power relations, Order Chloramphenicol with No Prescription. We have to think about the space of the classroom - in relation to more authentic peer to peer "situated" learning spaces, rx free Chloramphenicol. If we're going to do gaming, Online buy Chloramphenicol without a prescription, maybe we ought to situate those games within the spaces they are played and explore the idea of peer and community assessment rather than inscribing with our own ideas of what that literacy looks or feels like.

A call to action

While I try to focus on the positive  exceptions of in-school gaming that are coming from wonderfully reflexive gamer educators I still believe there are some ethics we need to unpack around coercing game-play within a context of assessment and power (a creepy-treehouse). I've written about some of the ways we could bypass creepytreehouses and gamification but was recently struck by another idea while talking to a student about minecraft:  if the students themselves were actually involved in the curriculum development we might actually get this right (though I think students should be involved in contributing to every aspect of school).

I will be reflecting a bit more in future posts about some of the ideas students themselves have shared with me about the prospect of gaming in schools and the way they situate themselves as gamers within particular gaming cultures and approaches to gameplay, order Chloramphenicol from mexican pharmacy. Order Chloramphenicol with No Prescription, In the meantime, talk to your kids or your students - what games do they play. What do they like about these different games. Or if you are a student, tell your teachers your idea of gaming in school - or whether you even like this idea.

Non gamer teachers: take a night off or a weekend and play some games. Think about what makes that fun for you and use that as your starting point. If you're like me, it might be the discovery that you'd rather spend several hours just roaming around and dying ("noobing it up" without any goal or objective but exploration) than looking up tutorials and going about things in a prescribed way. I wonder how I might have "taught" minecraft a few years ago given how much my own thinking has changed.


Me, noobing it up, in minecraft.

RELATED:

Sarah 'Intellagirl' Robbins offers some great definitions of games in her article "This game sucks: How to improve the gamification of education", which she argues that higher ed is already gamified via "pointsification."

Mozilla and Peer to Peer University explore the idea of open assessment for learning outside of schools.

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Order Theophylline with No Prescription, Remix artist Pogo's Disney remix "Alice"

In 2009, I came across the inspiring work of self-taught Australian remix musician Nick Bertke (aka "Pogo"). As a media teacher doing remix in my own media production classes, I was interested in learning more about Pogo and his creative process. So I interviewed him about it.

What I learned from Pogo, where can i order Theophylline without prescription, beyond his inspirations and process, is the central role of the philosophies that inform remix. Where can i buy cheapest Theophylline online, Philosophies that come into direct conflict with the policies and practices of institutional learning. This distinction is one of many that got me thinking about the differences between the real creative production process (i.e, the world I worked in as an early adopter and new media creator prior to teaching), what we're permitted to do in school, buy Theophylline no prescription. This post isn't so much about remix but how remix constitutes a site of struggle (and insight) between formal and informal learning, Order Theophylline with No Prescription.

While many educators have since adopted some of the practices of remix as a component of education (a wonderful thing), the acceptable remix products produced in a classroom are still mediated by explicit and implicit rules and expectations, Buy Theophylline online no prescription, many of which "nullify" the kind of authentic artistic expression that exists within real affinity spaces of maker culture and transmedia. As Henry Jenkins points out:

"It is not clear that the successes of affinity spaces can be duplicated by simply incorporating similar activities into the classroom. Schools impose a fixed leadership hierarchy (including very different roles for adults and teens); it is unlikely that someone like [maker artist] or [maker artist] would have had the same editorial opportunities they have found through fandom. .., where can i find Theophylline online. Order Theophylline with No Prescription, Even the most progressive schools set limits on what students can write compared to the freedom they enjoy on their own" (Henry Jenkins, Convergence Culture)


As well, truly situated cultures are rarely authorized within education unless they are unpacked by a teacher "expert" (i.e,. one with extensive "teaching" background v. lived experience with the tool or practice) or else reified by novel classroom projects that reflect the teacher's interests, Buy Theophylline without a prescription, values or priorities rather than those of the learners.

My lived experiences of these differences - as a learner, adopter, maker and teacher - speak to much larger questions about what is really possible within institutional learning at a time of unprecedented access to the figures, Theophylline gel, ointment, cream, pill, spray, continuous-release, extended-release, communities and tools that allow learners an alternative means of learning that doesn't involve "qualified" teachers, institutional spaces or curriculum selected on their behalf. As I see it, Theophylline over the counter, we can choose to deny this reality or attempt to find our place with in it.

CONTINUE READING [below]

Situated creativity

Real learning in action is a form of (praxis). It is embodied, experienced and known in ways that are often social, physical and tangible, Order Theophylline with No Prescription. I knew this as a student and as cultural producer, but had to relocate these instincts when I went to teacher's college, where to buy Theophylline, where I learned about the externally defined and institutionally inscribed processes of teaching and learning (pedagogy).

Getting back to remix, Real brand Theophylline online, and drawing on the contrast between my lived experiences of media production and those of the classroom variety, I was stuck by several null, hidden or explicit curriculum variables that limited or negated what the students and I were able to do. These are just a few I observed:

1)  School doesn't encourage breaking the law: We can view a movie or hear about a remix artist who breaks the law, Theophylline price, coupon. We can discuss and debate and reflect on these things. Order Theophylline with No Prescription, But when it comes to openly and honestly sharing our own positions on subjects that involve transgression, how much agency do we have in a context of assessment and evaluation - that is mediated by an assessor whose own beliefs or positions may be explicitly or implicitly known via their disposition, identity or expressed affinities?


2) Neutered production (de-contextualized simulation): We can use some of the practices and tools of a real remix artist but what about their materials (i.e., we cannot take images, music, content that is meaningful to us if it is copyrighted). The choice and selection and use of particular content is as integral to remix as the act of editing and changing the meaning of those materials.


3) Using "original" v. Buy Theophylline without prescription, copyrighted material: Often, teachers are encouraged to have students create "original" material of their own in order to create remix content. This is perfectly valid (Pogo did so ... with pro tools that aren't available to students in most schools), Theophylline for sale. Unfortunately, this is also held up as an ideal, situating the use of copyrighted material as somehow less "creative" than making our own, Order Theophylline with No Prescription. We need to stop fibbing, and be honest about why we can and cannot do things in school. Purchase Theophylline online no prescription, Only then can we say our students are "empowered" to do or think anything.


4) The public domain is not the same as the stuff they want to use: I love the public domain content. And as a consequence of my school board's policies on creating works from copyrighted material, I had students use the internet archive as the source for their remixes. The reaction was: "this sucks, where to buy Theophylline. Order Theophylline with No Prescription, The music/video/etc I want to use is not here." While I'm not allowed to encourage students to break the law I am permitted to tell them what they can and cannot do at school versus what they may or may not do with their own tools, in their own homes, with their own internet providers - and share with them the potential consequences of doing so. If, after viewing the consequences they choose to break the law it is not because I have encouraged them to do so but they have chosen to enact their own political and civic identities outside of school. Order Theophylline online overnight delivery no prescription, But, again, what we do in the classroom is mediated by the law. It is a far cry from what is happening outside of school, canada, mexico, india. And they know it.


Rather than rationalizing, defending or avoiding this problem (a disempowered position that most of my colleagues have felt forced accept), I've chosen to address it via contrasts with situated learning and transgressive/critical pedagogy -- in hopes that we can: A) illuminate it for what it is; and B) start asking questions about what's really missing from learning experiences in school and the ways we can address this, Order Theophylline with No Prescription. Some if it will likely involve establishing a network between formal and informal learning spaces - where null curriculum is permitted and encouraged and some of it will interrogate the policies and practices that presently define professional pedagogy and practice. Theophylline trusted pharmacy reviews, Showandtellagogy v. situated exploration

If the classroom and school serve to hinder authentic self-directed exploration, then we need to find new ways to acknowledge or accredit the learning that is happening outside of school (though not necessarily via schooly assessment processes) or else find ways for situated and formal learning to coexist in a meaningful way that also validates lived experience. A travelogue is not the same as traveling, kjøpe Theophylline på nett, köpa Theophylline online. Order Theophylline with No Prescription, Real innovation has little to do with software or technology - though these tools can certainly be employed in the process. Innovation is really about thinking, disposition and motivating utopia. Buy cheap Theophylline, Reggio Emilia, Ivan Illich, Paulo Freire and others promoted the ideas I'm relocating here long before any of the so-called revolutionary tech emerged. So why don't we hear anything about this kind of pedagogy in Twitter or at educational conferences, order Theophylline online c.o.d. It's partly because of the belief that we can use new tools while maintaining old power laws. Unfortunately, new tools don't transform a normative disposition into a transgressive one or conventional pedagogy into situated learning, Order Theophylline with No Prescription. But this may be difficult for some: As bell hooks argues:

"We found, Japan, craiglist, ebay, overseas, paypal, again and again, that almost everyone, especially the old guard, were more disturbed by the explicit recognition of the role our political perspectives play in shaping pedagogy than by their passive acceptance of ways of teaching and learning that reflect biases" (hooks, order Theophylline from United States pharmacy, Teaching to Transgress)

At some point, we need to get beyond teacher-directed showandtellagogy and actually go places, Ordering Theophylline online, meet new people and do things that may not increase our social or professional capital or be validated via qualifications or professional status. This isn't so much about teachers "dipping in" to cultures unlike their own (we already do enough of that - it's called tokenism). It's about acknowledging their existence, respecting the existing knowledge, buy generic Theophylline, values and skills within those spaces and seeking the expertise of those within those cultures rather than attempting to colonize and reify these spaces for use in our classrooms.

One way of doing this is to actually go to these spaces and take part in them - authentically. Order Theophylline with No Prescription, Another way is to listen to and engage those who already teach and learn there and think about how our learners can situate their learning within those spaces (co-op, etc). Purchase Theophylline online, The learning that happens in these situated spaces is messy. It's sometimes unfriendly. You might even get hurt. You will be and feel like a noob, fast shipping Theophylline. And it doesn't come with catering, Order Theophylline with No Prescription. Just ask Gever Tulley, who proposes REAL tools, Buy Theophylline from canada, in REAL spaces learning. Tulley's 5 Dangerous Things TED talk helps to articulate the problem with inauthenticity as a mode of learning and challenges us to explore the difference:

 

QUESTIONS FOR TEACHERS:

Given some of the context and examples above - null curriculum, reification, situated learning - I'm interested in asking teachers how they are either transgressing or reinforcing the issues above, Theophylline from canadian pharmacy. The questions below are intended as a provocative prompt to get us (myself included) thinking about the environment in which we teach and how that environment reinforces and hinders authentic learning or expression. It's also intended as a prompt to start thinking about just how empowered our students are to truly speak their minds in the school environment if we ourselves are not permitted to do so.

Q: Learning culture: Order Theophylline with No Prescription, How often do you solicit ideas or questions or examples from your students about curriculum or culture prior to or during the planning of your units. Australia, uk, us, usa, (daily, hourly, monthly) How much of what you're doing strongly reflects your students identities, cultures or lived experiences (versus your own interests, comprar en línea Theophylline, comprar Theophylline baratos, preferred tools, communities). Buy Theophylline online cod, What are your students teaching you (or their peers) about media cultures. What opportunities do students have for 'scaffolding' 'showing' 'articulating' 'sharing' 'instructing' or 'empowering' your/their peers learning, skills or knowledge [note: these words are typically applied to the things we "give" /"provide" for students, situating us as the source and origin of their empowerment (empty cup thinking), order Theophylline no prescription. What is your advice for teachers who wish to engage their students cultures or lived experiences in a meaningful way.

Q: Content policy: What are your school's policies on the presence of provocative content (i.e., violence, nudity or other "inappropriate" stuff) in your own curriculum and your students spoken, performed, written or produced expressions, Order Theophylline with No Prescription. What words and/or images are not permitted in their works. Buy cheap Theophylline no rx, What are the consequences of the presence of inappropriate material in their expression or your choices of curriculum (that contains this material). How does the absence or presence of particular cultural forms, texts or subjects limit or empower what students learn in your classroom. If you teach in an alternative school, canada, mexico, india, what are your recommendations for teachers in mainstream schools - in relation to "transgressive" or inappropriate content.

Q: Tools and Technology: Order Theophylline with No Prescription, How much agency do you have as a teacher to select specific tools and software for your classroom - how long does a request take to process. How many open source tools do you presently use in your classroom. If you are without the tools and technology you need, how does this mediate the options you provide for the students. Do you encourage students to use their own personal tools or resources and how do you support those who cannot afford their own technology or tools. What is your advice for teachers who would like a more agile process of obtaining the tools they need.

Q: Ideology and self expression: Is your school administration, culture or local community ideologically, socially or culturally diverse, Order Theophylline with No Prescription. Are students, staff, administration or parents supportive of the free expression or inquiry into diverse, radical or transgressive. Do you model, embody or promote empowerment (or conformity/assimilation). How much freedom do students in your school/classes to express diverse identities or beliefs within the dominant culture of your school/community. What are the conditions required of a truly empowered classroom where creative works may contain ideas or expression that challenges the status quo. Order Theophylline with No Prescription, Those of you who do enjoy this freedom, please explain how or why your school culture does so and how you would recommend other teachers cultivate the same kinds of freedoms in their schools/classrooms.

Q: Situated learning: What creative communities of practice (groups, communities, spaces or forums) are you presently exploring that are outside of your existing social, educational or professional capital. What kinds of things did you learn about learning (in that space). How are these spaces different from institutional learning settings in terms of what you can say, do or create within. If you are a media teacher, what investment are you currently making into the media cultures or sectors you teach. How do you scaffold these explorations and practices among your students.

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